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Drawing on natural forms - hives, spider webs, nautilus shells - Peter Randall-Page's sculptures are deeply connected to pleasure and the comfort of physical contact. By Marina Warner
In his essay “Carving and Modelling”, the now rather unfashionable, psychoanalytically inclined art critic Adrian Stokes wrote: “Carving creates a face for the stone, as agriculture for the earth, as man for woman.
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